Heat. April heat. Deep, penetrating. This afterwinter sky - unfamiliar, molten, aglow - splurges on timid leaves, permeates clothes, and burrows into skin.
Out by the river I am sitting on a log. The gulls have just taken off, shrieking, treading water, flapping their wings against the dormant, mirror-cold, reflected images of trees.
Seconds later, suspended, they're cottony like blossoms carried by the wind. Look at them closing ranks: each one an eager follower - or are they taking turns?
Their identical throats all screech to different voices. Who can tell them apart? What are they saying to each other? Who are they rebuking?
Minutes ago there they were, sitting immobile like white rubber ducks, gliding downstream and bobbing with the eddies. Now, slowly dripping, they are taking flight, leaving me to the afternoon.
The calm deceives. The quiet is a chorus: geese, finches, jackdaws, tireless insects rubbing their exoskeletons on grass... An enterprise of fertile wakefulness: this unassuming feeding of themselves, this calling out to mystery, this delivering of themselves up to the human pursuit of reconnecting the fragments - they are, each one of them, undoubtedly whole.
Across from where I'm sitting, on the opposite bank, a guy is strumming his guitar. I can't make out the tune, and yet a melody rings out, disperses, circles back, weaving itself into the fabric of the hour, bridging the water and the strangeness, healing the chasm between his world and mine.
A poet and a musician across the river from each other ("all writing should aspire to the quality of music"), two raw chords sitting in the sun, vibrating deafened by the warblers the church bells the boisterous teens horsing around on the spine of the levee; two chunks of flesh on two tongues of earth speaking the same silence.
But not for long. The gulls are back in the same spot (can you alight on the same river twice?), impatient, unimpressed, cackling and jeering, drowning out the guitarist and my thoughts as though we're both out of tune.